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Pan's LabyrinthReview by David BentonFilm Review: El Laberinto I was reluctant to see this movie, having been put off by Guillermo del Toro's The script combines two of the director's favourite themes, fairy tales and the Spanish Civil War, and does so to stunning effect. The year is 1944 and in a rural area of a little girl escapes from the harsh realities of Franco's dictatorship into a fantasy world where she is a lost princess who must complete three tasks before the moon is full. She is helped by a faun (the Pan of the English title), who may not be all that he appears. Meanwhile her stepfather, a brutal captain in the Spanish army, is trying to suppress Communist guerrillas who live in the nearby woods. Del Toro has said that he prefers small budget productions and it shows. The film features an unknown cast and is shot entirely in Spanish but don't let that put you off. The cinematography is superb, the performances utterly convincing and the effects brilliantly implemented. In fact, the only real criticism I have is that the ending is telegraphed during the opening scene and therefore not as effective as it could have been were I not expecting it. But this is a minor criticism of what is the most intelligent political film I have ever seen. A work of genius. |
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